A POWERFUL ADDITION TO THE PROGRAMME

By conference convener, Stephanie Mines.

The organisers of CCC19 (Climate Change & Consciousness, the week-long conference at Findhorn in April, 2019) are filled with gratitude for the momentum the event is gathering. We are constantly being approached by preeminent climate change activists keen to be involved. Most recently, environmentalist author, philosopher and poet, Kathleen Dean Moore, has spontaneously and generously offered to perform at the conference and facilitate workshops. Kathleen will be joined by piano virtuoso Rachelle McCabe whose accompanimentpiano4 (2)t to Kathleen’s spoken word makes even more palpable her passionate expression of love for the Earth and all of Nature. If you come to CCC19 for their performance alone, you’ll not be disappointed; your spirit will be uplifted and you will be forever changed. Go to A CALL TO LIFE: Variations on a Theme of Extinction to experience the power and beauty of their collaboration.  Here is a brief description of the piece, A CALL TO LIFE, provided by Kathleen:

“Words alone cannot express the moral urgency of action,” says Kathleen Dean Moore, “and so we turned to music.” In a unique creative collaboration, classical pianist Rachelle McCabe and Moore, a philosopher and writer, have created a music/spoken-word performance piece, A CALL TO LIFE. In the program, McCabe plays a breathtaking interpretation of Sergei Rachmaninoff’s “Variations on a Theme of Corelli.”  Moore weaves words between the variations, creating a call to action to save the planet’s lives from the dual threats of climate change and ocean acidification.  “We are using a formidable piece of music to address a formidable global crisis,” McCabe says. McCabe and Moore have performed for audiences all over the United States. “It is at once devastating and inspiring, despairing and hopeful,” wrote ocean conservationist Mark Hixon, who heard the performance in Hawaii. The synergy of words and music creates what one audience member called “as powerful a message as one could imagine.”

A longer blog post about the work of Moore and McCabe is available here.

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